Monospaced fonts have the same space between letters and could actually either be sans serif or serif fonts. Despite the style being hard to read on print or other content, it’s easier for coders to use this font for programming. When it comes to infographics, especially more complex ones like product roadmaps or process diagrams, sans serif fonts are the perfect candidate as they’re clean and easy to read.

The table above is equivalent to selecting the next relative bolder
or lighter face, given a font family containing normal and bold faces
along with a thin and a heavy face. Authors who desire finer control
over the exact weight values used for a given element should use
numerical values instead of relative weights. Style sheet designers are encouraged to offer a generic font family
as a last alternative. Comic Sans is characterised by its informal and playful appearance, with rounded letters and moderate stroke contrast. It is often used for titles and headlines in documents and graphics and has a light and whimsical feel.

Font metrics

It was specifically designed for use on the web and intended to be a highly legible and readable typeface at small sizes on computer screens. Verdana is characterised by its large x-height, vast proportions, and open letterforms. Most modern typefaces set numeric digits by default as lining figures, which are the height of upper-case letters. Non-lining figures, styled to match lower-case letters, are often common in fonts intended for body text, as they are thought to be less disruptive to the style of running text. They are also called lower-case numbers or text figures for the same reason.

In addition to their use in print, Garamond typefaces are also widely used in digital media, such as websites and electronic documents. Furthermore, due to its refined and professional appearance, Garamond is often used in formal settings, such as business documents and academic papers. Helvetica is often described as a neutral and versatile typeface that works well in various contexts and applications.

FF Info Display

Typographic experts claim that these are the most legible and most easily read of the sans serif typefaces. Humanistic sans serif typefaces also closely match the design characteristics and proportions of serif types, often with a strong calligraphic influence. Serif typefaces, sans-serif typefaces, script typefaces, monospaced type spaces, and display typefaces are five basic typefaces. People use Serif and sans-serif typefaces for body copy or headlines.

Some typefaces have a structure that suggests a three-dimensional letter, such as letters carved into stone. An example of this is the genre known as ‘inline’, ‘block’ ‘outline’ or ‘shadowed’ typefaces. This renders the interior of glyphs in the background color, with a thin line around the edges of the glyphs. In some cases, the outline shows the glyph filled in with the foreground color, surrounded a thin outline mirroring the edges separated by a small gap. (This latter style is often used with “college” typefaces.) Colorized block lettering is often seen in carefully rendered graffiti. Frequently measurement in non-typographic units (feet, inches, meters) will be of the cap-height, the height of the capital letters.

ITC Legacy Square Serif

However, it is not as common as other sans-serif typefaces, such as Arial or Helvetica, because people have no idea what they’re doing, and the screen resolutions have improved since 1996. Nevertheless, it is still a popular choice for use on websites and other digital media because of its legibility and readability in small sizes. The glyphs found in CJK fonts are designed to fit within a square. This allows for regular vertical, horizontal, right-to-left and left-to-right orientations. CJK fonts can also include an extended set of monospaced Latin characters. This commonly results in complex, sometimes contradictory rules and conventions for mixing languages in type.

• By 1470, Nicolas Jenson thought of a more efficient font, the roman typeface, which was slimmer than Blackletters and allowed more words to be printed on a page.
• For example, the Times New Roman family contains some designs intended for small print use, as do many families with optical sizes such as Minion.
• Many – such as psychedelic or grunge designs – are time-sensitive and fall out of fashion.
• Unfortunately, many of us work on computers where we have no control over what fonts are loaded onto the machine, so we have created a list of the top 10 most common system fonts everyone should know and how to handle them.

The text needs to be clear and visually appealing for your audience. We see TrueType come to life since it allowed printers and digital devices to use the same font. And finally, in 2009, the Web Font style rose to the ranks of used fonts. Another great way to use a slab serif is in your presentation headers, as we see in this template below. Examples of these fonts include Akzidenz-Grotesk, Franklin Gothic, Helvetica, Monotype Grotesque, News Gothic and Univers. They are characterized by great contrast between thin and thick strokes.

3.1 Generic font families

Some became superfamilies as a result of revival, such as Linotype Syntax, Linotype Univers; while others have alternate styling designed as compatible replacements of each other, such as Compatil, Generis. These typefaces are made up of capital letters with curved edges and thick strokes with splits. This makes them have the look of the stenciled letters used on crate shipments and public signs. They can be used in labels, headlines, logos, military and cartoon designs. Try to incorporate different types of fonts into a single design as well. Slab serifs pair really well with serifs in pretty much any design project, so you can test out some of your own font pairings in future designs.

While the axis of curve strokes can be inclined in transitional designs, the strokes normally have a vertical stress. While the time periods in which they were designed can go a long way toward helping to identify different typefaces. The typography choosing fonts for website infographic below includes information on how to tell each style apart. Glyphs in cursive fonts, as the term is used in CSS, generally have
either joining strokes or other cursive characteristics beyond those
of italic typefaces.

A typeface is a set of fonts (a collection of letters) designed to work well together. You can write or edit text, and the typeface you’re using will set the font design for the rest of your project. There is no guarantee that there will be a darker face for each of
the ‘font-weight’ values; for example, some fonts may have only a
normal and a bold face, while others may have eight face weights. There is no guarantee on how a UA will map font faces within a family
to weight values. The only guarantee is that a face of a given value
will be no less dark than the faces of lighter values. There may be other variants in the font family as well, such as
fonts with old-style numerals, small-caps numerals, condensed or
expanded letters, etc.

These typefaces have abrupt and dramatic contrast between thin and thick strokes. The stroke terminals are oftentimes ball-shaped, offering a more distinct design with clearly shaped letters. They have a vertical axis and, like Baskerville, are characterized by horizontal stress and have tails with a distinctively small aperture. Casual Scripts
These typefaces are designed to suggest informality, as if they were written quickly. Formal Scripts
These typefaces are derived from 17th century formal writing styles. Sumner Stone worked together with Bob Ishi of Adobe to create the Stone family fonts, which appeared in 1987.

Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different writing systems, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha (Α). There are typefaces tailored for special applications, such as cartography, astrology or mathematics. These typefaces are perfect for flat design as they create texture without resorting to drop shadows or bevels.